Before we get too far, let’s make one thing clear: Dejafuse is not a metal band. Sure, some aspects of the band’s sound and (obviously) vocals are reminiscent of Autumn’s. Part of this may be because Dejafuse guitarist/producer/composer Arno Krabman has worked with Autumn on their last two albums, "My New Time" and "Altitude." Dejafuse, however, is a pure rock band through and through. No fancy twists and turns, no cosmic blips and bleeps – just raw, straightforward music with lots of oomph!

So now we turn to the album "Dejafuse." Yes, self-titling an album isn’t the most creative route, but this one is absolutely fitting. It reflects the band’s approach: Fresh, no-frills alternative rock with hints of blues, funk, and progressive rock, all of which equates to a whole lot of fun. Everything about Dejafuse’s music screams "energy," from Arno’s skillfully distinct guitarwork to the lively and impressive drumming of Ludwig Witt (Firebird). Even Nienke’s simple, relatable lyrics capture the rhythm of each song, making them all the more memorable.

The majority of "Dejafuse" is punchy uptempo numbers that are as catchy as hell. This will thrill some and wear out others after a while, yet there’s no denying the promise in several of these songs. "More" and "Brother" are instant highlights, with memorable choruses, strong guitarwork, and foot-tapping rhythms. Arno gets to shine with some impressive solos on "Right Here" and "Exploring," injecting even more vitality into the music. Other quick-hitters offer some diversity, ranging from the mellow acoustic backing of "Wake" to the tempo changes and a surprisingly rousing, keyboard-lifted bridge in "Blanque Cheque."

Other songs deviate from the brisk pace and sound just as solid. The most interesting track on the album is "Clipper," a ballad that doesn’t exactly sound like a ballad. Nienke croons with her warm, magnetic voice as the music winds around with unusual guitar chords and off-beat rhythms. "2Faced" and "Shapeshifting" are two of the album’s funkiest tracks. The former is a raucous midtempo call-out on a hypocrite ("Naked with your own true self caught on / … Is it familiar to see? / You won’t hurt me again"), and the latter is a slinky, seductive number that’s surprisingly relaxing. Then there’s "State of Being," the album’s most brooding, angst-driven track both lyrically and musically. In fact, its cathartic lyrical tone might remind some listeners of Autumn’s "Solar Wake," which Nienke had also penned.

The closing number "Continuüm" is also a nice surprise. It’s an easygoing instrumental led by Arno’s bluesy solos. And he’s a decent guitarist, so it’s hard not to enjoy his quieter moments as well as his louder ones. Something about this track also reminds me of John Mayer’s blues-flavored pop/rock, who – oddly enough – has an album titled "Continuüm." Now that I think about it, I’ve read somewhere that Nienke is a fan of John Mayer’s music. Coincidence? Maybe not…

With all there is to discover on "Dejafuse" the album, one discovery sticks out above all the others: There’s a lot to like about Dejafuse the band. Its music is original, inspired, and above all enjoyable. Perhaps more variety in tempo would boost Nienke and company’s work to the next level on their next disc, but right now they are doing all the right things. Their debut album is evidence of this. It’s a buoyant rock joyride that sounds like it’s been powered by a turbo-charged engine. And let me tell you, it’s one fun ride you’d be sorry to miss.

8.5 / 10